物相 —— 郑孟梅个展
来源: 艺术中国 作者： 艺术中国 时间：2020-10-06
展览名称：物相 | 郑孟梅个展
艺术家：郑孟梅
策展人：郭赟
学术主持：覃京侠
时间：2020/06/03—2020/06/14
开幕：2020/06/05 16：00pm
地点：深圳美术馆
主办单位：深圳美术馆
别针的故事The-Story-of-the-Pin装置油画Installation-oil-painting-55cm×55cm-2019
深圳美术馆将于2020年6月5日举办“物相——郑孟梅个展”。
郑孟梅毕业于湖北美术学院，现工作生活于北京和深圳。其作品以绘画为基础，同时置入现成品，或者把二维平面的画布物化，在绘画中植入装置与雕塑语言，制造了一种真假莫辨的错觉。作品对蓝色与深灰色调的偏好以及有序排列的几何形体，给人以静谧且理性的形式感，但进入作品的真实语境，会发现形式的表象之下隐藏着激烈的情感世界，包括艺术家给作品的命名，亦包含着生活与情感的隐喻。后现代都市表象之下，隐藏着城市人情感的真实面——真实、时尚、具体，但是又荒诞、魔幻、抽象！郑孟梅作品中二元对立式的并置实际是一种直面冲突的尝试。就语言学而言，该系列作品亦颇有意味。深圳是移民城市，很多艺术家从外地汇聚到深圳并在深圳扎根之后，不约而同地开始从原有的写实、表现或者传统画风转向了抽象表达，而郑孟梅该系列作品恰恰处于一种过渡性的中间地带，从中可以见出一个区域的语言学脉络，正如抽象绘画发轫之初至上主义画家所作的探索与尝试。
钉子的发家史The History of Nails装置油画Installation oil painting 40cm×30cm 2019
马斯洛空间8-Maslow-Space8装置油画Installation-oil-paiting-50X50cm-2018
在日益显著异化的现代社会，对物、意识及存在三者之间交互关系的判断基于其本身的巨大变化需要跳出既有认知去重新考量。英国经验主义哲学家贝克莱认为“存在即被感知”，存在基于先验性的或者既有的认知经验。但人和意识的物化以及社会的异化重建了旧有秩序，感知与真实之间日益产生巨大差异，当代艺术很多时候正是基于这种差异追问表象背后的真实或者挑战并解构固有的认知经验。郑孟梅的作品正是基于这种感知与真实之间差异的探讨。
一次凸起1-A-Bump1-装置油画-Installation-paiting-50X50cm--2019
一次凸起2-A-Bump-2装置油画Installation-oil-painting-20cm×30cm-2017
一个螺钉的构成The-Composition-of-A-Screw装置油画-Installation-oil-painting-30cm×40cm-2019
对物与空间的探讨在进一步异化的现代社会中还将不断地深入，对于郑孟梅而言，把物相置于画面中，是通过物相隐喻内心情感，或者，也是一个解缚的过程，是一种对自身存在的反思或者认知的重构。郑孟梅的作品正是基于感知与真实之间差异的探讨。
本次展览将持续到6月14日。
艺术家郑孟梅
艺术家简介：
郑孟梅，自由艺术家，湖北荆州人，本科与研究生毕业于湖北美术学院，曾任教于深圳高职院艺术学院，其后多年工作及生活于北京与多伦多，现工作与生活在北京。
个展
2019年 真/相 太和艺术空间 北京
2015年 是相非实 元典美术馆 北京
2013年 “锋线”郑孟梅邓震双个展 艺原社 北京
2013年 触觉危情XYZ画廊 北京
群展
2019年 共享与共存：中外高校艺术交流展 中国矿业大学图书馆 北京
2019年 卸妆时代：女艺术家邀请展 大田画廊 上海
2018年 流动的剧场——当代女艺术家邀请展 深圳大学美术馆 深圳
2018年 深圳国际艺术博览会机构提名展 深圳会展中心 深圳
2018年 独角兽艺术博览会 阿拉亚海滩 秦皇岛
2018年 “多维视角”湖北女性艺术家邀请展 湖北美术学院美术馆 武汉
2018年 中英高校当代艺术交流展 中国矿业大学图书馆 北京
2018年 一平尺 春美术馆 上海
2015年 “艺•书”中英文本艺术展 华北理工大学美术馆 唐山
2014年 “不言而喻”，中英文本艺术展 林肯大学画廊 英国
2014年 大象无形 今日美术馆 北京
2012年 海峡两岸艺术交流展 翠亨美术馆 中山
2007年 梦想南方——中国当代艺术邀请展 深圳
2001年 深圳外线艺术7人展 深圳
一截铁丝的臆想-Observation-on-Iron-油画-金属--Oil-paiting-and-Metai-180X180cm-2019-(2)
Exhibition：Appearance:Mengmei Zheng Art Exhibition
Artist: Zheng Mengmei
Curator: Yun Guo
Academic Chairperson: Jingxia Qin
Time: 2020/06/03—2020/06/14
Open: 2020/06/05—2020/06/14
Address:Shenzhen Art Museum
Organizer:Shenzhen Art Museum
展览现场Exhibition-Site现场作品-On-Site-Work-尺寸可变-Dimensions-Variable-2019（正面）
Zheng Mengmei graduated from Hubei Institute of Fine Arts and currently lives and works in Beijing and Shenzhen. Her works are based on paintings, while placing ready-made products, or materializing a two-dimensional plane canvas, that is, implanting installations and sculptural language in the paintings, creating an illusion of truth and falseness. These works mostly use blue and dark grey tones and orderly arranged geometric shapes, which give people a sense of quiet and rational form. But when you enter the real context of the work, you will find that there is an intense emotional world hidden under the appearance of the form-even the artist's name for the work contains a metaphor for life and emotion. Under the surface of the post-modern city, the real face of the urban people's feelings is hidden-truth, fashion, concrete, but absurd, magic, abstract! The dual juxtaposition of juxtaposition in Zheng Mengmei's works is an attempt to face the conflict. From a linguistic point of view, this series of works is also very meaningful. Shenzhen is an immigrant city. After many artists gathered in Shenzhen and lived in Shenzhen, they began to move from their original realism, expression or traditional style of painting to abstract interpretation. Zheng Mengmei's series of works is precisely in a transitional middle zone, from which a regional linguistic context can be seen, just as the initial stage of the development of abstract painting, the explorations and attempts made by the supremacist painters.
折叠空间Folding-Space-装置油画--30X60cm-2016
In a modern society that is becoming more and more alienated, due to the tremendous changes in itself, our judgment of the interaction between the three things, consciousness and existence, needs to jump out of the existing cognition to reconsider. British empiricist philosopher Berkeley believes that "to be is to be perceived", which suggests there is a priori or existing cognitive experience. However, the materialization of people and consciousness and the alienation of society has rebuilt the old order, resulting in a vast difference between perception and reality. Contemporary art is often based on this difference to question the reality behind the appearance or challenge and deconstruct the inherent cognitive experience. Zheng Mengmei's works are based on this discussion of the difference between perception and reality.
The discussion about object and space will continue to deepen in modern society with further alienation. As far as Zheng Mengmei is concerned, putting the Appearance in the picture metaphorically expresses the inner emotion, or, it is also a process of unbundling, which is a reflection or cognition reconstruction of its existence. Zheng Mengmei's works are based on the discussion of the difference between perception and reality.
箴言装置油画Installation-oil-painting-80cm×100cm-2020
Artist
Zheng Mengmei is a freelance artist who was born in Jingzhou, Hubei Province. She received BA and MA from Hubei Institute of Fine Arts and worked at School of Art of Shenzhen Polytechnic for years before moved to Beijing and Toronto. She currently lives and works in Beijing.
Solo Exhibitions
2019 Reality/Nimitta, Taihe Art Gallery, Beijing
2015 Nimitta Is Not Reality, Yuan Art Museum, Beijing
2013 Blade Lines: Duo exhibition of Zheng Mengmei and Deng Zhen, Yiyuanshe, Beijing
2013 Crisis Depicted in Tactile Terms, XYZ Gallery, Beijing
Group Exhibitions
2019 “A share of a future”- An exhibition of international art in HE Environment, the Library of China University of Mining &Technology, Beijing.
2019 Her Art: Era of Make-up Removing, Ota Fine Arts, Shanghai
2018 Moveable Theater: Contemporary Female Artists Invitational Exhibition, Shenzhen University Gallery, Shenzhen
2018 Shenzhen International Art Fair 2018 Nomination Exhibition, Shenzhen World Exhibition & Convention Center, Shenzhen
2018 Unicorn Art Fair, Aranya, Qinhuangdao
2018 "Multidimensional Perspective" Invitational Exhibition of Hubei Women Artists, Gallery of Hubei Institute of Fine Arts, Wuhan
“Chain”—An Exhibition of Chinese and British Contemporary Art in HE Environment, the Library of China University of Mining &Technology, Beijing.
2018 One Square Foot, Chun Art Museum, Shanghai
2015 “Art • Text” Chinese-British Text Art Exhibition, North China University of Science and Technology, Tangshan
2014 “This is all I’m going to say, you know what I mean.” Chinese-British Text Art Exhibition, Gallery of the University of Lincoln, UK
2014 The Great Form Has No Shape, Today Art Museum, Beijing
2012 Cross-Strait Art Exchange Exhibition, Cuiheng Art Museum, Zhongshan
2007 Dream for South-China, Contemporary Art Invitational Exhibition, Shenzhen
2001, Shenzhen Outer Art 7-person Exhibition, Shenzhen
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